this post was submitted on 19 Oct 2025
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Big brain tech dude got yet another clueless take over at HackerNews etc? Here's the place to vent. Orange site, VC foolishness, all welcome.

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Want to wade into the sandy surf of the abyss? Have a sneer percolating in your system but not enough time/energy to make a whole post about it? Go forth and be mid: Welcome to the Stubsack, your first port of call for learning fresh Awful you’ll near-instantly regret.

Any awful.systems sub may be subsneered in this subthread, techtakes or no.

If your sneer seems higher quality than you thought, feel free to cut’n’paste it into its own post — there’s no quota for posting and the bar really isn’t that high.

The post Xitter web has spawned soo many “esoteric” right wing freaks, but there’s no appropriate sneer-space for them. I’m talking redscare-ish, reality challenged “culture critics” who write about everything but understand nothing. I’m talking about reply-guys who make the same 6 tweets about the same 3 subjects. They’re inescapable at this point, yet I don’t see them mocked (as much as they should be)

Like, there was one dude a while back who insisted that women couldn’t be surgeons because they didn’t believe in the moon or in stars? I think each and every one of these guys is uniquely fucked up and if I can’t escape them, I would love to sneer at them.

(Credit and/or blame to David Gerard for starting this.)

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[–] swlabr@awful.systems 9 points 2 days ago* (last edited 2 days ago) (32 children)

Kind of a ramble: So, I’ve been out in the wild recently. I use discord and have noticed that in most of the servers I’m in, either they have an explicit no-genAI policy or quarantined sections where genAI content is allowed. On one podcast’s server, I posted a complaint about some genAI content that was posted to the podcast’s socials, and the embed was removed because it showed the genAI content- 10/10, love to see it. On another server, I figured out that the channel was created specifically because they had a sealion problem but didn’t want to ban their sealion (it appeared to be just one).

An interesting (read: stupid) thing about this sealion was that they are a self-styled leftist that was pro-AI. I won’t try to replicate any of their nonsense here, because A) it was nonsense stemming from a refusal to believe any anti-AI data and a lack of understanding of how LLMs work, and B) I don’t want to look like I’m posting about some kind of argument I had elsewhere here in order to score internet points, as I’m self aware/anxious enough to know that I sound exactly like that right now.

They posted this recent article written by Peter Coffin. There isn’t much about this guy on the internet. All I can gather is that they are some kind of breadtuber or in the breadtube orbit. It’s funny (read: farcical) to see a person posing as leftist say they are “pro-AI” but “anti-AI industry”. Either they don’t understand how the technology works (i.e. ignorant) or are accelerationist, wanting both the destruction of the environment and art (i.e. wilfully stupid)

Anyway, this exploration has shown me that some leftists don’t support copyright protections. I understand that from a couple different perspectives: 1. The main beneficiaries of copyright protections are large media corporations, and 2. it can be interpreted as trying to capitalistically extract fictional value, much like a landlord charging rent. I’m not trying to debunk this (I don’t think I’m representing this well enough). My thought is that I don’t give a shit about corporations losing money, what I care about is the work of individual artists being under/de-valued. Copyrights are an imperfect method that artists use to try seek justice, so it’s a grey area for me. Coffin in the article linked paints the situation as black and white: anyone who tries to stop someone “stealing” is actually rent seeking, whether or not they are a megacorp or a starving artist. (edit) I think this comes from Coffin's "extremely pro-AI" agenda, i.e., being anti-AI is enough to be reductively lumped together under some conspiratorial pro-capitalist agenda.

End of ramble, sorry that there wasn’t much of a point or structure here. Would love to hear any thoughts that come out from reading this.

E: note that this vid is posted as a common criticism of Coffin.

E2:

re: video above:I really didn't know about this before writing that edit. I did some more reading. Coffin is something of a pick-me internet guy, his entire personality crystallised by that video. He's moved from internet trend to internet trend, one of note being gamergate, formerly anti, now pro (yes, as of 2024). He also did rap parodies? Anyway this isn't about him.

[–] corbin@awful.systems 3 points 1 day ago (8 children)

Previously, on Awful:

[Copyright i]s not for you who love to make art and prize it for its cultural impact and expressive power, but for folks who want to trade art for money.

Quoting Anarchism Triumphant, an extended sneer against copyright:

I wanted to point out something else: that our world consists increasingly of nothing but large numbers (also known as bitstreams), and that - for reasons having nothing to do with emergent properties of the numbers themselves - the legal system is presently committed to treating similar numbers radically differently. No one can tell, simply by looking at a number that is 100 million digits long, whether that number is subject to patent, copyright, or trade secret protection, or indeed whether it is "owned" by anyone at all. So the legal system we have - blessed as we are by its consequences if we are copyright teachers, Congressmen, Gucci-gulchers or Big Rupert himself - is compelled to treat indistinguishable things in unlike ways.

Or more politely, previously, on Lobsters:

Another big problem is that it's not at all clear whether information, in the information-theoretic sense, is a medium through which expressive works can be created; that is, it's not clear whether bits qualify for copyright. Certainly, all around the world, legal systems have assumed that bits are a medium. But perhaps bits have no color. Perhaps homomorphic encryption implies that color is unmeasurable. It is well-accepted even to legal scholars that abstract systems and mathematics aren't patentable, although the application of this to computers clearly shows that the legal folks involved don't understand information theory well enough.

Were we anti-copyright leftists really so invisible before, or have you been assuming that No True Leftist would be anti-copyright?

[–] jonhendry@iosdev.space 3 points 1 day ago (5 children)

@corbin

"[Copyright i]s not for you who love to make art and prize it for its cultural impact and expressive power, but for folks who want to trade art for money."

Fatuous romantic bollocks.

[–] corbin@awful.systems 2 points 1 day ago (1 children)

Thanks! You're getting better with your insults; that's a big step up from your trite classics like "sweet summer child". As long as you're here and not reading, let's not read from my third link:

As a former musician, I know that there is no way to train a modern musician, or any other modern artist, without heavy amounts of copyright infringement. Copying pages at the library, copying CDs for practice, taking photos of sculptures and paintings, examining architectural blueprints of real buildings. The system simultaneously expects us to be well-cultured, and to not own our culture. I suggest that, of those two, the former is important and the latter is yet another attempt to coerce and control people via subversion of the public domain.

Maybe you're a little busy with your Biblical work-or-starve mindset, but I encourage you to think about why we even have copyright if it must be flaunted in order to become a skilled artist. It's worth knowing that musicians don't expect to make a living from our craft; we expect to work a day job too.

[–] self@awful.systems 6 points 1 day ago

well there you have it

bitter winter adult it is

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