𝕱𝖔𝖑𝖐 𝖍𝖔𝖗𝖗𝖔𝖗

A24 is responsible for a number of the most haunting and thought-provoking movies of the last decade, none more so than 2021's Lamb, which acts as a dark inversion of one classic fairy tale trope. Lamb stars Noomi Rapace as an Icelandic livestock farmer who, in the wake of the loss of her own daughter, adopts a bizarre human/lamb hybrid child with mysterious origins. While it's classified as a folk horror movie, Lamb isn't necessarily as scary as it is disturbing. In fact, it resonates more like an ancient fairy tale come to life in the modern day than anything.

Fan theories abound about Lamb's shocking ending, but no matter how a viewer interprets it, the story is rife with common fairy tale tropes. The Icelandic setting seems almost surreal and dreamlike, and haunting performances from Rapace as María and and Hilmir Snær Guðnason as Ingvar help to escalate the story from a mere cautionary tale into something more eerie. However, at its center, Lamb takes one popular fairy tale trope and turns it on its head, putting the viewer in an unfamiliar place when it comes to sympathy and perspective.

Kidnapping is a common trope in fairy tales, particularly when speaking about actual fairies, as opposed to the more general phrase indicating a story that's based upon imaginary characters or settings. Throughout much of European folklore, supernatural beings like fairies are said to steal children away from their homes and replace them with a being known as a "changeling", which mimics the child but with some differences. The stories originated as a way to explain and describe children with developmental disabilities or neurological deficiencies long before such medical diagnoses were possible.

Beyond this point, spoilers lie.

Evil comes in many forms. In horror films, it’s often in the form of an inhuman creature or supernatural entity. With folk horror films, however, evil is often personified in people and their actions, seeing the sub-genre interrogate the dark nature of mankind. In The Severed Sun, writer/director Dean Puckett‘s feature debut, a creature may go on a killing spree, but it’s far from the film’s true evil.

In an isolated British community led by a strict pastor (Toby Stephens, Die Another Day), religion rules the land. When his daughter Magpie (Emma Appleton) gruesomely murders her abusive husband, she inadvertently (or deliberately?) conjures a woodland creature that begins targeting the evil men in the village. As the bodies start to fall, suspicions start to rise, with particular attention being paid to Magpie. The rebellious woman, along with her sons Daniel (Lewis Gribben, Get Duked!) and Sam (Zachary Tanner), must battle the village’s conservative ideals and elude accusations of witchcraft before the natives resort to violence.

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The Severed Sun is a solid entry in folk horror canon, with a clear message and some impressive effects work and a strong central performance. Pacing proves to be an issue, with Puckett struggling to fill a truncated runtime, but the sun certainly hasn’t set on this burgeoning filmmaker’s career.

The 2020s have already been great for folk horror, but the current folk horror revival really got its start in the previous decade. The niche subgenre, which had been around since the 1960s and 1970s, didn't get a name until actor Mark Gatiss of Sherlock fame used the term "folk horror" in 2010 to describe a trio of influential films in his BBC documentary series, A History of Horror. Suddenly, a generation of writers and filmmakers who had grown up on the old British films and television programs were inspired to revisit the rural terrors of their youth.

Folk horror, which was initially recognized as a British phenomenon, became closely associated with imagery from the British Isles, such as stone circles, druids, and the green man. However, the modern folk horror revival has been more inclusive, as filmmakers from around the world draw inspiration from their countries' history and folklore. From Indonesia to Austria, these are the best folk horror movies of the 2010s.

1. Midsommar (2019)
2. Kill List (2011)
3. The Witch (2015)
4. The Borderlands (2013)
5. The Wailing (2016)
6. The Ritual (2017)
7. Impetigore (2019)
8. La Llorona (2019)
9. Hagazussa: A Heathen's Curse (2017)
10. A Dark Song (2016)

Warning: the image used dod The Ritual is a massive spoiler - go watch it first, it's worth going in blind.

See also:

• 10 best Folk Horror movies of the 2020s (so far)

Austria in the 18th century. Forests surround villages. Killing a baby gets a woman sentenced to death. Agnes readies for married life with her beloved. But her mind and heart grow heavy. A gloomy path alone, evil thoughts arising.

IMDb

You've heard of Candyman. You've heard of Batman. You've heard of Bicentennial Man (actually, maybe not that one!). But did you ever hear of Bagman? A child-snatching nightmare figure from Latin American, Eastern European, Asian, and African folklore, the Bagman — or Sack Man, as he's sometimes known — is a Pennywise-like force of evil who takes innocent kids and stuffs them, well, in his bag. And he's the central figure looming over The Girl With All The Gifts director Colm McCarthy and writer John Hulme's aptly titled folk chiller Bagman, which is set to see Sam Claflin, Antonia Thomas (The Good Doctor), and Aftersun breakout star Frankie Corio among others come face to face with the eldritch terror. Watch the creepy first trailer below:

Trailer on YouTube

Most horror films weigh in at around 90 minutes, but first-timers Paul Thomas (screenwriter) and Chris Cronin (director) are in no hurry, using the additional running time to draw the audience into a tangled web of grief and guilt. Although set in 2021, the film bears the influence of British ghost stories and folk horror favourites like The Stone Tape (1972), Quatermass (1979) and The Woman in Black (1989).

Cronin also employs some effective Blair Witch-inspired techniques, including documentary-style interviews and POV filming to draw us further into the story. But the score, sound design and pitch-perfect performances – not least from Edward-Robinson, who gave up a tech career aged 50 to take up acting – ensure the film’s considerable spell remains unbroken.

It’s a bleak, brooding tale, steeped in folk mythology and infused with so much atmosphere you may feel the fog closing in around you in the cinema.

Matt Smith and Morfydd Clark's folk horror Starve Acre has confirmed its UK release date.

The film, which premiered at last year's BFI London Film Festival to critical acclaim, will arrive in cinemas in the UK and Ireland on September 6.

Set in rural England in the 1970s, Starve Acre stars Smith and Clark as Richard and Juliette, respectively. Their idyllic family life is turned upside down when their young son starts acting out of character.

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Discussing the film in a press statement, director Daniel Kokotajlo (Apostasy) said he’s a "sucker" for English folk tales like Starve Acre, which are able to "put a spell" on viewers with their "attitudes and strange sensibilities".

The filmmaker continued: "It's not just horror; it ends up in a weird, off-kilter place. It can be uncomfortably quiet and sensitive, then suddenly it slaps you in your face with its oddballness. That was the aim of this film: to create a mood of nervousness.

"Making an audience nervous results in a whole range of reactions: tears, screams or giggles. It's my idea of cathartic fun.

"Starve Acre also taps into a timeless fear that feels more relevant than ever: the idea that returning home, to nature, and regressing into childhood, is a big mistake.

"The film removes the nostalgic, rose-tinted glasses and shows us that there are dark things, long-buried superstitions, awaiting our return."

The ancient grounds of the old St Werburgh's Church in Warburton were transformed into a film set for new folk horror, A Caution for The Wise.

And the 13th century church, based on Wigsey Lane, has since been described as a ‘one in a million’ film location by film producer, Gaius Brown.

Filming from both within the grounds of the old church and inside the Grade I listed building can be seen in the new short film which was released earlier this month and is currently circulating film festivals across the country.

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The short is loosely based on a chapter from the hit 2013 novel 'Skendleby', written by Nick Brown and also based in leafy Cheshire, in the affluent area of Alderley Edge.

While the old St Werburgh's Church was used as the set for the parish church in the film, other areas of Cheshire were also used during the filming of the horror, including the picturesque grade II listed Hawthorn Cottage located on Twemlow Lane in Cranage.

Stories rooted in Irish folklore have shown audiences time and again that there is something chilling in the Emerald Isles and Paul Duane’s All You Need Is Death is no exception. A haunted and haunting tale that weaves together ancient folk tales, Irish ballads, and cosmic horror, the film proves to be a satisfying watch even when all the pieces may not fit perfectly together.

Trailer

IMDb

The film is said to put “a folk horror twist on the story of Job.” Watch the trailer below.

“Joba and Quincy are a privileged, fiercely progressive Brooklyn couple – they buy the right things, donate to the proper foundations, and march for every just cause. But when their friend, Caleb, returns from a country pilgrimage challenging their bleeding liberal hearts, Quincy is initially skeptical. But when Joba insists they take up an invitation to the same off-grid spot, they are met by a kitschy cabin in the woods peppered with analog devices of a simpler age: a rotary phone, religious iconography, an Edison machine.

“And when a curiously labeled record plays a menacing message, Joba and Quincy rapidly learn that their bank accounts have been drained, their digital records erased, and their family businesses are collapsing. They try to flee, only to grow more enveloped by the woods.

Trailer

IMDb

To celebrate 50 years since the cult horror The Wicker Man came to our cinemas, BBC Radio 4 Extra is ‘sacrificing’ its normal evening schedule to bring you five hours of drama, comedy, documentaries and conversations connected to this unique film, its cast and its music.

The evening will be presented by writer, paranormal psychologist and Celtic pagan, Evelyn Hollow (Uncanny and The Battersea Poltergeist), who will be introducing highlights such as the world radio debut of an adaptation of The Wicker Man starring Brian Blessed (21:05) and the first broadcast of Christopher Lee’s Desert Island Discs in over 25 years (20:15).

Evelyn will also be offering up archive featuring among others, Edward Woodward, Britt Ekland and Ingrid Pitt, and in a specially recorded interview Evelyn will be speaking to the Olivier award-winning actress - who not only played the mischievous schoolgirl Daisy Pringle in the film, but who also sang on some of The Wicker Man’s iconic songs - Lesley Mackie (18:45 & 20:55). Come, it is time to keep your appointment with The World of The Wicker Man…

Matt Smith and Morfydd Clark's upcoming film Starve Acre has debuted with a perfect Rotten Tomatoes score.

Premiered at this year's BFI London Film Festival, this folk horror from writer-director Daniel Kokotajlo (Apostasy) is set in rural Yorkshire, England, in the 1970s. There, the idyllic country life of couple Richard and Juliette takes a sinister turn when their son Owen (Arthur Shaw) starts acting out of character.

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While the film — an adaptation of the 2019 novel of the same name by Andrew Michael Hurley — doesn't have a wider release date just yet, it sure seems to have wowed critics who have managed to see it. It currently sits at a score of 100% out of 5 reviews on review aggregator Rotten Tomatoes, though this is likely to change once more reviews are in.

Gwen is the debut feature of William McGregor, a writer-director with various prize-winning shorts and acclaimed TV runs to his name, including Poldark (2015-). His breakthrough effort, co-financed by the BFI, is a tricky film to define, but he has a very specific way of describing it for prospective viewers. “A slow burn, anti-capitalist folk horror would be the best description,” he says. “You have to add that caveat because if you tell people it’s only folk horror, they might go in with slightly different expectations.”

“I love Thomas Hardy, and I love folk horror. I love suspicion, folklore, tradition, beliefs – how all that affects us. I love the gothic, and I love landscape and the sublime, and all of these things just compressed themselves into this one film. I’m proud of the fact that it’s quite idiosyncratic. I think the best way of watching it is not knowing what to expect.”

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The film had three titles over the years, the most recent before Gwen being The Dark Outside, which was changed to manage expectations concerning the tone. That said, McGregor is adamant that he does want Gwen to be seen as a horror film: “I believe that it is. I just feel I have to add the caveat that it’s a slow burn. It’s about atmosphere and the uncanny rather than full blown jump scares. But The Wicker Man (1973) and The Blood on Satan’s Claw (1971), those films are absolutely inspirations. As are the BBC adaptations of the M.R. James ghost stories and even Robin Redbreast (1970), a BBC Play for Today, is, I think, one of the seminal folk horror films.”

“The first time I came across Valerie and Her Week of Wonders (1970), I just fell in love with it. There’s another incredible film from the Czech New Wave called Witchhammer (1970), which I don’t think gets talked about enough in the origins of folk horror, but it’s one of the best films about witchcraft; the whole central injustice of that film still boils my blood now. Those are the films that inspired me. And folk horror is more than just The Wicker Man; it is broader. I think a lot of people would consider some of Ben Wheatley’s films in the vein of folk horror. It doesn’t just have to be something as straight up as The Witch (2015); it can be like A Field in England (2013). I think you can even call some of Ingmar Bergman’s films folk horror.”

Philosopher student Khoma Brut must spend three nights in a village church near the coffin of a deceased lady. The guy will read prayers over the body of the deceased, but there are rumors in the village that she was a witch.

Viy on Wikipedia

Award-winning director Daniel Kokotajlo made a real impression five years ago with his fiercely distinctive debut feature, Apostasy, set in an enclosed religious world. Here is his diverting but frankly more generic follow-up, adapted from the novel by Andrew Michael Hurley. It is billed as contemporary folk horror but borders on film-school pastiche, and “contemporary” means set in the era of The Wicker Man in the early 70s – a British world of brown corduroy, Austin 1100s, no central heating, odd locals and a persistent, sinister encroaching gloom in the countryside. The movie teeters on a knife-edge between scary and silly, and yet without that weird flavour of silly, the scares wouldn’t mean as much.

Just south of Mexico City, between the canals of Xochimico you can find a small island with a sad background which never intended to be a tourist destination. The island is known as Isla de las Munecas (Island of the Dolls).

Derek Simeone

In rural 17th-century England, a group of men gather to carry a coffin on the long walk to the local graveyard for burial. Much ancient folklore and superstition surround the pathway to the church, and several of the party are afraid to walk it after dark. Squire Marlow, the grieving father of the dead man, promises to double their wages if they agree to make the mysterious journey full of unexpected revelations.

IMDb

cross-posted from: https://lemmy.ml/post/1204044

I saw Grady Hendrix recommend this on Facebook (sigh, yes, Facebook...I know, but plenty of people--like Grady Hendrix--still use it) and thought it looked fascinating.

Founded in 2019 by writer and editor Maria J. Pérez Cuervo, with art direction by Nathaniel Hébert, HELLEBORE is a small press devoted to British folk horror and the occult. As well as the magazine of the same name, HELLEBORE has published a travel guide (The Hellebore Guide to Occult Britain) and a card game (The Magical Card Battle of Britain). A World Fantasy Awards finalist in 2022, HELLEBORE has been featured in Fortean Times, Starburst Magazine, Rue Morgue, SFX and others.

A group of old college friends reunite for a trip to a forest in Sweden, but encounter a menacing presence there stalking them.

IMDb

Link is to the trailer, should be on a streaming service near you and is on Film4 Saturday 26th August 2023.

Just thought I'd throw open a thread - if you hear any music you think is folk horrory then throw it in.

Writer Howard Hallenbeck is spending his vacation in the countryside of Ireland with his wife Elaine and their children, researching legends and myths for his book. Meanwhile, a farmer is trying to remove an old column on the field and accidentally unleashes the evil pagan god Rawhead Rex who begins a crime spree in the village where Howard and his family are lodged.

Availability:

• Arrow - Blu-ray
• Kino Lorber - 4k, Blu-ray and DVD, plus a steelbook

Trailer from Kino Lorber