this post was submitted on 10 Apr 2025
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This is incredibly ironic because if you follow the history of this stuff somewhat rigorously there is a very good case to be made that the "pivot to video" beginning of the end starts when Jeff Gerstmann gets told by sales people at Gamespot to mellow out a review for advertising purposes and he aggressively refuses (as this was not at all a usual request), gets fired and starts Giant Bomb as a video-first outlet.
This is one of those things where an insider could have a very nuanced set of opinions about the relationships between the game marketing industry on one side and the craft and art of game criticism and journalism on the other, but it has somehow seeped down into mainstream opinion as "games journalism was all paid for", which is definitely wrong.