this post was submitted on 14 Oct 2025
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Traditional Art

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From dabblers to masters, obscure to popular and ancient to futuristic, this is an inclusive community dedicated to showcasing all types of art by all kinds of artists, as long as they're made in a traditional medium

'Traditional' here means 'Physical', as in artworks which are NON-DIGITAL in nature.

What's allowed: Acrylic, Pastel, Encaustic, Gouache, Oil and Watercolor Paintings; Ink Illustrations; Manga Panels; Pencil and Charcoal sketches; Collages; Etchings; Lithographs; Wood Prints; Pottery; Ceramics; Metal, Wire and paper sculptures; Tapestry; weaving; Qulting; Wood carvings, Armor Crafting and more.

What's not allowed: Digital art (anything made with Photoshop, Clip Studio Paint, Krita, Blender, GIMP or other art programs) or AI art (anything made with Stable Diffusion, Midjourney or other models)


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Renaldi obtained permission from the British East India Company to travel to Calcutta in 1786. Over the next decade, he produced sensitive portraits that revel in the sumptuous textiles and rich jewels that provided much of the impetus for European colonialism in South Asia. Renaldi almost certainly sent this painting back to London for display at the prestigious Royal Academy under the title "Portrait of a Mogul [Mughal] Lady." However, nothing of the sitter’s identity is known. Given the seclusion of elite Muslim women in India at the time, she may have been a hired model or a so-called bibi, an Indian woman who became the wife or concubine of a European man.

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[–] Nima@leminal.space 2 points 2 days ago* (last edited 2 days ago) (1 children)

I wonder who she was. its a shame she is unknown.

That is often the case in colonised places. Record keeping is weak and locals don't control or access it.

Even older history is lost thanks to them.

My own ancestry I only know for 4 generations, before that I just know my lineage by family name and not records.