this post was submitted on 21 Oct 2025
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TenForward: Where Every Vulcan Knows Your Name

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[–] shalafi@lemmy.world 3 points 20 hours ago (1 children)

Hypnotizing people is pretty easy, if they're receptive and able to relax, but it ain't happen' through a TV tube.

[–] Rooster326@programming.dev 1 points 13 hours ago

Weird take given most people are most relaxed and receptive to the television.

An entire generation has been made into a cult through a TV tube..

[–] tiramichu@sh.itjust.works 55 points 1 day ago* (last edited 1 day ago) (2 children)

It's fascinating when a much-loved and now quintessential aspect of a show only turned out the way it did because of bothersome real-world factors.

Just like how transporters and "Beam me up Scotty!" only happened because it was too expensive to be doing shuttle model shots every episode.

As the audience, we tend to assume that every aspect of what we see on the screen is intentional and deliberate, but just like any job there are surprises and curveballs, and the production team are making things up and solving problems as they go along. I always love learning about stuff like that.

Hypospray became a thing because they weren't allowed to show needles on tv.

[–] SatyrSack@quokk.au 9 points 1 day ago (3 children)

The transporter VFX were cheaper than filming model ships?

[–] Tar_alcaran@sh.itjust.works 11 points 1 day ago (2 children)

It's a single frame, where they would make a mask of the person and run the same film on that part every single time. The film they used was a slow motion shot of falling metal dust, upside down.

It probably took minutes to make those shots once they had the stock footage made.

[–] Thebeardedsinglemalt@lemmy.world 4 points 22 hours ago (2 children)

The film they used was a slow motion shot of falling metal dust, upside down.

I swear I read it was gold glitter in water that was swirled

[–] shalafi@lemmy.world 4 points 20 hours ago

That's what I read many years ago. They probably used both methods.

[–] Tar_alcaran@sh.itjust.works 2 points 21 hours ago (1 children)

That might be a later thing? Aluminum dust is what they describe in "The making of Star trek" (a book by Roddenberry and Whitfield, doubt it's still in print though)

[–] Thebeardedsinglemalt@lemmy.world 1 points 20 hours ago

It could have been other fx they did or from another show/movie altogether

[–] Sxan@piefed.zip 4 points 1 day ago

TIL, TY.

I still prefer TOS-style transporters, despite being fancier and more sparkly by ST: TMP.

[–] acockworkorange@mander.xyz 15 points 1 day ago

It was a still frame with the actors that were masked with stock effects. Bread and butter of film VFX at the time.

[–] frezik@lemmy.blahaj.zone 8 points 1 day ago (1 children)

Not just the model. You have to build a full shuttle on the planet set every episode. Want to do an episode with on location shoots? Oh boy, that's going to be fun to haul out there. Almost might as well leave it at Vasquez Rocks permanently.

[–] kieron115@startrek.website 2 points 14 hours ago* (last edited 14 hours ago)

It was a 3/4 size model, wasn't it? Surely they could tow it on a trailer?

Edit: from wikipedia

Art director Matt Jefferies originally envisioned a sleek, streamlined shuttle based upon his background as a pilot. The curved shape proved too expensive to build for the first episodes.[3] AMT offered to build a full-sized shuttlecraft at no cost in exchange for rights to market a model kit. The final design of the mockup, by Gene Winfield,[4] is 24 feet (7.2 m) long and weighs one ton, has a plywood hull, and was built in two months by a team of 12 people. A separate set was used for interior scenes as the mockup was too small for filming.[5]