Jaccident

I think lighting is a lot of this, but I also think that the facial performer may dictate this a littler too, they may have lost the performer between eps and tweaked the model to the replacements to make mapping motions easier.

apple crunch “Tastes pretty good for shit.”

I am predicting this is the place where Section 31 and Rule 34 first collide in a big way.

B-Dunks’ performance is masterful in Threshold. It’s every hammy instinct one could muster up, but with production value. The tongue scene alone is amazing.

He’s a man of special punscience. ice cream truck music plays

A decent point, but each of those ships were from realities where the Cerritos is that class. Just as there are Klingons who never left Quo’nos or never evolved past proto-Klingons and those crews and ships were affected by the reality waves to reveal them.

I think there is a reality within which the Klingons evolved slightly differently and developed a slightly different culture, but remain close enough that we don’t see major changes to the events of the Prime timeline.

Is it fair to assume that, by showing the Klingon turning Disco, that the implication is that Discovery exists in a reality almost identical to the Prime Timeline, but with differently evolved Klingons?

If so, it begs a question. Is there a Mirror Universe for every reality? Or do they all share one?

The best agent Bajoran TSA ever had.

If we’re talking extinguished timelines the Year of Hell Janeway would like a word. (Unless…did you erase her for the glory of the Krenim Imperium?)

Someone watching along with The Greatest Generation?

British. Specifically Scottish.

As I am not American I grew up with socialism being a positive connotation in day to day culture, so much so it’s wild to me that this needed to be veiled in Trek’s past. Star Trek should be as explicit as possible with this. “Hey, you want Utopia? This is how you earn it!”