Love the work on the shell. It really raises it to another level.
StillPaisleyCat
I’m expecting some thriller aspects, not just the comedy that having Tawney Newsome joining the writers room might suggest.
This show was in development hell for quite a while, but it seems like they finally got a viable concept after the backdoor pilot episode in Discovery season three fell flat, and a new set of creators took over.
Gaia Violo (Co-EP), who is credited with writing the pilot that finally got greenlit, was the cocreator and a senior writer on Absentia. Also, Co-Showrunner Noga Landau was a senior writer on The Magicians when Henry Alonso Myers was showrunner. Landau transitioned Nancy Drew to a much more suspenseful (and successful) version when she took over running the show in season two.
It may have squeaked through, but no Internet sales from a Russian-based site should be ok.
I’d love to get the sun doily pattern.
There are a couple of ethical concerns here though.
I’m unclear on whether the original creator would be compensated in this case.
It’s also a question whether the creator might be in Russia, which is embargoed for trade by most European and English speaking countries. The owl pattern is posted on a Russian-based group which would fall under embargo.
The pattern is available in English and Russian, but the family name is of Ukrainian origin. So, it’s possible she could now be in Ukraine or any number of countries other than Russia. I don’t see a creator profile linked that would clear this up.
The EPs have mentioned in interviews that the alternate version will be a bonus feature on the DVDs/BlueRay/UHD disc sets.
Sorry no, it never was good. I couldn’t get through the first season even.
It had some potential. Knowing the first seasons of Star Trek are often the weakest, I gave it a solid try. But no.
I’d rather watch the second season of Space 1999 than any Andromeda if we’re looking for benchmarks of good concepts badly delivered.
In case you weren’t already aware, fan-favourite Star Trek tie-in fiction author shared the script credit for Only a Paper Moon.
His other DS9 script credit is for Starship Down.
If you haven’t tried Mack’s tie-in novels, you’re missing some of the best.
I find the implicit assumption that everything onscreen is ‘fact’ exasperating.
More episodes than not depend on guest or recurring characters providing inaccurate, incomplete or outright deceptive information. In many cases, the plot hangs on whether the hero crew can deduce or find more evidence about what’s actually going on.
To assume that everything not directly contradicted in an episode is true is boggling.
Some of the criticisms fall in another category of beating on SNW’s alleged canon ‘violations’.
These include assertions that Chapel ‘isn’t the same person’ as she doesn’t have the same temperament/personality as in TOS, Uhura not having met or known of T’Pring before Amok Time, etc., Spock would have been ashamed to have eaten animal products (bacon), T’Pring’s ears have the wrong shape
While I can be quite critical of incoherence in plot threads or characters within a single show, especially in a single season (say in Discovery season two or every season of Picard), to me that’s a problem in how a set of writers are telling a specific story.
I’ve come to realize that the fans who just can’t get past continuity changes they can’t resolve immediately across the entire history of the franchise just aren’t going to enjoy SNW as much as I am.
I classify these inflexibilities as:
— not being open to the possibility that the characters may grow and change,
— not being open to the possibility of characters being unreliable narrators or saying things ironically in later shows (e.g., in TOS Uhura might tweak Spock about T’Pring to press him to identify who she is, even if she personally knew exactly who she was),
— refusing to accept that minor changes in timing, visual design, technology and characters are possible due to intertemporal interference as long as the Prime continuity maintains key/essential events.
In the end, hanging out here to have conversations with folks who are a bit more flexible is a better choice for me.
I’ve seen a great amount of curmudgeonly criticism of this episode in other places.
Can’t understand it really. There really seems to be a contingent of fans that just don’t want to have fun.
Wow.