The above image jumped out to me on Pinterest of all places, in which I was simply enjoying the pleasant "LC" style. (for anyone unsure about the meaning of "LC," please see sidebar)
But dad-gum it, looking a little closer, this seemed to be from the age-old The Spirit franchise. I mean, I thought that one had concluded long before creator Will Eisner's death, with it's classic run being from ~1940 to the early 50's, or so.
But, no... turns out that unlike some properties (such as Tintin), the Eisner estate evidently allowed The Spirit to be continued on in to modern times, with DC comics being the publisher behind this particular issue:
https://i.imgur.com/PRLjU4O.jpeg
What's interesting here is that our lead image is like an LC-styled version of the official cover, with significant little differences everywhere you look, and yet it *still* seems to be by the same artist, "Moritat," i.e. American Justin Norman clocking in with a Euro-style pen-name.
But let's backtrack a bit when it comes to my assertion that Europe 'loved' The Spirit. Like... why would that be, man? For example, from Lambiek:
In Europe, Eisner gained followers in the U.K. (Alan Moore, NG), The Netherlands (Stefan de Groot, Gleever, Erik Kriek, Minck Oosterveer, Peter Pontiac, Joost Swarte, Typex, Piet Wijn), Belgium (Steven De Rie), Germany (Flix), Switzerland (Zep) and Spain (Belatz, Julio Ribera).
Personally, I also have a folder of Spirit-style tributes from various BD authors, which I'd never quite thought to post before or put more thought in to, yet today's finding explains a lot to me, I think.
https://i.imgur.com/KVXfeSZ.jpeg
Now, the above is totally, classically Spirit to me, lol. That is-- physically, he's a big, strong, two-fisted action-hero, with a good, thinking mind, but Eisner was a downright genius at depicting what a miserable failure all that could add up to as an 'urban hero,' of sorts.
And that is perhaps part of the key, I suspect. I.e. the Europe of the 40's and 50's had no use for 'American superheroes' of the day, which I suppose would be totally invincible-types such as Captain Marvel and Superman, et al. I would guess (and I could be totally wrong), but fantasy heroics was relatively useless to Euro audiences, which cemented perhaps a kind of shift towards the 'amusing everyman,' such as Tintin, Spirou, and countless others who essentially had to navigate their way mainly via resourcefulness, cleverness, and so forth.
TBH, this is kind of a shitty post, in which I'm trying to cover two main topics, and neither of them very well. So for one thing, I'd say just go here for more on the genius of Eisner, and how he evolved comics storytelling in the overall sense:
https://www.lambiek.net/artists/e/eisner.htm
But here's one last little comment upon DC handling the Spirit franchise:
https://i.imgur.com/4yrp3mY.jpeg
Dang, I love that colorful, bright lettering! Oof... and I actually *did* read through the entire 20pp comic book, and found it some of the most miserable fare, ever. I.e., a two-fisted anachronism socking out dozens of gun-carrying gang-members, inspired by the rescue of 'the princess.'
Eh, que ridícula. Show me the money, Lebowski!
NOTE: the above post was written while conspicuously sleep-deprived, but what the hey... content is content, lol.

Okay, thanks for the update(!)
Sounds like an interesting novel, and possibly suitable for BD.
Interesting how we both seem to have a drinking problem. For me, it's one of the few ways I can get some relief from my CFS/ME disease, and I'm thankful for that, but of course it has its darker side, too... :S